The screen presents an outdoor art installation with a giant white violin sculpture as the core. In terms of material, the main body of the sculpture is made of metal iron, which is cut, polished and painted to present a simple and smooth outline, abstract the shape of the violin, abandon the cumbersome details, retain the iconic curves and body structure, and have its own artistic tension.
The production process integrates modern sculpture techniques, and gives the violin simple and powerful lines through precise shaping. The white paint surface is pure and textured, forming a subtle dialogue with the surrounding natural environment. The flower boxes and flower art on the side soften the hardness of the sculpture with vivid colors and natural forms, achieving a balance between artificial and natural, abstract and concrete.
The on-site environment was selected in an open grassland, with green trees as the background and sunshine, making this group of installations look like both artistic symbols growing from nature and solidified musical melodies. The overall design uses simple shapes, contrasting materials and integration with the environment to convey the artist’s abstract expression of “symbiosis between music and nature”. It uses seemingly concise visual language to evoke the viewer’s deep thinking about the relationship between art, nature and life. It is a vivid practice of abstracting and artisticizing the symbols of daily musical instruments and integrating them into outdoor spaces.
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